Juliana Hatfield
To celebrate the release of his new album The Life and Times (Anti Records) Bob took to the stage at the Birchmere in Alexandria, VA. Opening for this date only was Juliana Hatfield fresh off an 8 hour Boston to DC Amtrak ride. Juliana, joined only by her Gibson SG, was battling a bit of a cold but plowed through a set of mostly new songs from both 2008's How To Walk Away and an as not-yet-titled effort that she describes as acoustic in character (despite being played on an electric). Not to shy away from deeply personal lyrics, her new songs appear increasingly so on the heels of the release of her memoir When I Grow Up. Her voice suffered from her cold until she made the decision half way through the set to offer a blistering cover of Bruce Springsteen's "Cover Me". From that point on, everything clicked.
Bob hit the stage with a little pep in his step, presumably related to the release of his new record. Jason Narducy (bass) and Amy Domingues (cello) joined Bob on stage for what started as a 20th anniversary celebration of Bob's 1989 solo debut Workbook. This album was of great importance to me as it transformed me from casual Husker Du fan into Bob Mould obsessive. Six songs from that landmark release started the evening and I was on my way to night of bliss.
Had the night ended with the Workbook retrospective I would have more than received my money's worth. Bob brought out longtime collaborator, Rich Morel (keyboards), and ran through four songs from the new disc all of which translated well to the semi-acoustic renderings offered. With seven songs left in the program, Bob switched over to his trusty blue and white Stratocaster with its signature sound (a sound I have spent the last several years trying to recreate on my own).
It has been Bob's habit ever since I first saw play an acoustic show in April of 1991 to play a number of songs with his electric guitar. I have often felt these songs suffered at times in comparison to the beauty of the acoustic offerings. Even with the addition of keys and bass for these songs, something was lost. I like my Bob Mould both ways - acoustic and electric - but I think if it is going to be electric bring Brendan Canty along for the ride.
Setlist: Wishing Well/See A Little Light/Sinners And Their Repentances/Poison Years/Lonely Afternoon/Brasilia Crossed With Trenton/Life And Times/The Breach/Bad Blood Better/I'm Sorry, Baby, But You Can't Stand In My Light Anymore/Walls In Time/Circles/Hoover Dam/The Silence Between Us/Your Favorite Thing/I Apologize/Celebrated Summer//encore//If I Can't Change Your Mind/Makes No Sense At All
The Silence Between Us (mp3)
